Page 17 - Centrum Dialogu im. Marka Edelmana w Łodzi. Time of the Litzmannstadt Ghetto. Film images.
P. 17

Time of the Litzmannstadt Ghetto. Film Images


                                                                    —  Tomasz Majewski








                                      Pierre Norra, an outstanding French historian, often em-
                                      phasized that it is not visible and tangible physical ob-
                                      jects that connect and oblige our memory, creating what
                                      he called lieux de memoire [sites of memory], but certain
                                      images, relics, traces and entire cultural landscapes
                                      which we recognize as having symbolic meaning. The ex-
                                      termination of the Jews was an unprecedented event.
                                      Numerous  thinkers  have  ascribed  it  to  the  opposite
                                      trend: the 'extermination of meaning', lack of form, help-
                                      lessness in terms of one's attempts to express it. 'Lack
                                      of  representation'  and  'unwitnessed  event'  are  well-
                                      known definitions which connect 'the duty of remem-
                                      brance' to this disturbing consequence of the times of
                                      organized homicide. The memory of the Holocaust, al-
                                      luding to Norra, 'has no place' (non-lieux de memoire).
                                      There are, however, specific places where the Holocaust
                                      took place. One of them is the Łódź ghetto. This confined
                                      district for Jews remains largely untouched to this day;
                                      many buildings, frontages and quarters still exist. This
                                      topography enables us to contextualize the location of
                                      the images and accounts of the ghetto experience con-
                                      veyed by the victims and survivors.
                                      The documentary films we would like to present to you
                                      gather different forms of remembrance which intersect
                                      in the words, photographs and songs of the Łódź ghetto.
                                      They are intertwined – or even tangled – threads rather
                                      than distinct places of memory. Articles written by Ewa
                                      Ciszewska, Bartosz Zając and the undersigned will help
                                      you to untangle some of the more detailed questions
                                      about the films presented. Getting to know the world of
                                      the Łódź ghetto, seeing it through the eyes of children
                                      and survivors brought to Łódź from Western Europe, lis-
                                      tening  to  their  emotions  expressed  through  music,
                                      makes us want to ask: what do these songs and images
                                      want with us? I would dare to answer cautiously: they
                                      want us to experience them. If it happens, we will surely
                                      remember it.
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